Testimonials

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On 12 Nov 2007, Sophia Allani wrote: I, the non-musician who attended, th... read it

On 09 Nov 2007, Daniel Sakoulas wrote: I was so enthused to be able to part... read it

On 24 Oct 2007, Marianne Gedigian wrote: Dear David, Lyndie and Liz, My mo... read it

On 18 Oct 2007, Julia Grenfell wrote: Congratulations again on such a succ... read it

On 18 Oct 2007, Beatte Lackmann wrote: I had a fantastic time and found the... read it

On 11 Oct 2007, Virginia and Vernon wrote: Thank you David for your vision, wor... read it

On 11 Oct 2007, Linda Ridden wrote: The festival. All I can say is, I ab... read it

On 10 Oct 2007, Leah Channnon wrote: I thoroughly enjoyed the Sydney Flut... read it

On 10 Oct 2007, Aaron Rothemund wrote: Sydney Flute Festival was absolutely... read it

On 10 Oct 2007, Alan Hardy wrote: Just a quick note to give you my hea... read it

On 10 Oct 2007, Paul Rasmussen wrote: Thank you so much to your entire tea... read it

On 10 Apr 2007, Monique Shephard wrote: "Eliza (student), Genevieve (teacher... read it

On 10 Apr 2007, Anne Polden wrote: "Just to say thank you and let you k... read it

On 10 Apr 2007, Barbara Johnston wrote: "Thank you for a highly successful v... read it

On 13 Nov 2006, Keryn Burns wrote: I arranged for my daughter and 3 of ... read it

On 11 Nov 2006, Felix Renggli wrote: Congratulations to all organizers, s... read it

On 10 Nov 2006, Gioconda Augimeri wrote: I was pleased the Sydney Flute Festi... read it

On 08 Nov 2006, Emily Beynon wrote: My very first trip "down under" in J... read it

On 23 Oct 2006, Jane Rutter wrote: The Sydney flute festival is a wonde... read it

On 20 Oct 2006, Mark Xiao wrote:

I was very excited when I first heard that there was going to be a flute convention this year in Sydney. The chance to meet professionals in the industry as well as peers from around the country and in some cases around the world was for some people a once in a lifetime opportunity. The last flute convention I attended was the 2002 Australian Flute Convention held in Melbourne. I was only fifteen at the time, but felt (and probably looked) more like an eight year old. Everywhere I looked, there were better and far more experienced players than me, not to mention professional flautists whom I had only seen on the face of CD covers. It was a little intimidating but more importantly, it was extremely inspiring! I think that's one of the key benefits to these events, to inspire younger players and in turn drive the industry forward.

This year at the 2006 Sydney Flute Festival, I was a little more grown up, a little more experienced yet the feeling of awe and excitement remained. Hearing players from around the world like Emily Beynon and Felix Renggli as well as our very own Geoffrey Collins and Jane Rutter live was once again inspiring. Not only that, but to hear all my peers gathered at the same spot performing in the masterclasses and in the competition was also very stimulating, it reminded me that I can never stop practising!

The workshops held during the festival were all very helpful. They tackled a lot of the problems that many people tend to overlook in regular lessons such as breathing techniques, posture positioning and many more fundamental flute playing basics. After playing the flute for almost a decade, I found myself surprised by my gradual lack of awareness for these fundamental rules; it was certainly a great jolt to get me back on track.

Other workshops like the 'How to play using Extended Techniques' was not only helpful but extremely important. I believe that we live in a fast changing time. We simply cannot be satisfied with playing Chaminade, Mozart, Prokofiev etc. Ms. Christine Draeger led the workshop and she constantly reminded us that we should not be afraid to tackle this new style of writing and performing. When I was looking at the set pieces for the Solo Competition, I was not aware that List C consisted entirely of extended technique pieces. I kind of left things to the last minute and you can imagine my shock and horror when I found out that there was no easy way out! I have to learn extended techniques! I had never approached this field before and was close to pulling out of the competition thinking that it just simply was not my cup of tea. When I was finally convinced to sink my teeth into Ian Clarke's Zoom Tube, I did find it difficult initially but also very interesting and fun. I was able to learn it eventually and perform it during the competition. I would have probably approached the piece with more optimism and confidence though if I had sat in Ms. Christine's workshop beforehand!

Although I had a fever throughout most of the festival, I thoroughly enjoyed my time at the Sydney Flute Festival 2006. The opportunity to be around some of the best in the industry as well as to learn from your peers around you is just too good to miss. Thanks to everyone who participated in the festival and especially thanks to the organisers. If you are a flute player then you owe it to yourself to attend the next event. See you there!

Solo Competition winner 2006
Mark Xiao
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On 20 Oct 2006, Georgia Holland wrote: The Sydney Flute Festival for 2006 w... read it

On 19 Oct 2006, Linda Pirie wrote: Sydney Flute Festival Report - by ... read it

On 19 Oct 2006, Mary 'O Brien wrote: The Sydney Flute Festival is an even... read it

On 19 Oct 2006, Robert Brown wrote: The Sydney Flute Festival 2006 showc... read it